Shades of Gray: Part II
In the aftermath of bloated holiday servings, may I offer some lighter fare: Five images, stripped down to the bare bones, presented in simple shades of gray. A more digestible visual blog for your viewing appetite.
All photos pictured below were shot on Agfa Scala transparency film, a past favorite among professionals, now long dead. Undeservedly maligned for having an inherent black within its grain pattern, Scala had incredible mid-tone performance, and just got contrast-ier the more you push-processed it. In a strong sense, it was a perfect black and white film for surf photography because it was relatively fast, provided ever-so-slight edging and detail to white water, and had just enough grain to soften a portrait. Through grit and the illusion of depth, Scala offered a visual realism that, in my opinion, is still unmatched by digital capture.