Photo Blog

11.4.13

Photo Blog

Shane Dorian, Backdoor

Photo: Grant Ellis

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11.1.13

Photo Blog

Off the Wall, Hawaii

Photo: Bryce Lowe-White

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10.31.13

Photo Blog

Makua Rothman, Peahi

Photo: Zak Noyle

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10.30.13

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Unknown, Indonesia

Photo: Jason Childs

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10.29.13

Photo Blog

Kelly Slater, Tahiti

Photo: Todd Glaser

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10.28.13

Photo Blog

Pat Towersey, Mexico

Photo: Chris Burkard

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10.25.13

Photo Blog

Sepp Bruhwiler, Central California

Photo: Dylan Gordon

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10.24.13

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Mark Occhilupo, Rocky Point

Photo: Grant Ellis

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10.23.13

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Pipeline, Hawaii

Photo: Bryce Lowe-White

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10.23.13

Photo Blog

It’s All a Blur

Rob Gilley offers a case study in speed blurs from Lower Trestles

There are basically two types of speed blurs: the ultra-slow blur which is often shot in the 1/15th to 1/60th range, and something I refer to as a ‘motion differential’ blur, which is typically shot in the 1/90th to 1/200th range. The former has a less-recognizable, abstract feel, and the latter is more of a visual study in speed disparities. Most of the time, though, they both look like crap.

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