Long Live Dora

Hard to believe, Da Cat would be 80

| posted on August 11, 2014

Mickey Dora was always a little slippery about his age. “Approximately one year older than the world renowned aquanaut and international surfing master of ceremony Rick Grigg,” Dora replied, when asked how old he was in a 1969 SURFER interview. “And nine years older than Bunker Spreckels, the genetic space child.”

I’m guessing that what Dora was doing there, apart from the throwing the usual handful of smoke in the face his interviewer, was dodging the fact that he was older than what most people thought. Either 34 or 35 (the exact interview date is unknown), which in 1969, at the very height of surfing’s anti-authority, hyper-ageist, throw-the-baby-out-with-the-bathwater period of reinvention and exclusion—also known as the Shortboard Revolution—put him just this side of Methuselah. Hell, when Surf Guide called Dora “The Angry Young Man of Surfing” in 1963, he was already 29.

Be that as it may, I was still shocked to learn that today would have been Dora’s 80th birthday. It’s relatively easy to picture what might have looked like today, had he lived. Neatly groomed, nine-tenths Continental and one-tenth SoCal, combed-back white widow’s peak, sunglasses, golf shirt. Leathery and fit. Still surfing, and doing it very well. But I have no idea how he would have evolved as a person. Twice I’ve read All for a Few Perfect Waves, David Rensin’s thorough oral-history biography on Dora, and while some people in the book were better than others at penetrating the Dora mystique, nobody, looking back on his life, seemed to really understand him. Speculate as to what he’d be like as a surfing octogenarian? Not a chance.

Instead I offer this humble overview of Dora’s life and contribution to the sport, as pulled from The History of Surfing.

* * *

Dora and Johnny Fain. Styling.

Dora and Johnny Fain. Styling.

Terry “Tubesteak” Tracy and Mickey Dora went further than anybody in defining the surfer-rebel; for putting the sport at a louder, bawdier, more creative remove from society at large. Culturally, the time was ripe. In 1950s America, conformity was the rule–but it was a big, rich, freedom-worshipping nation, confident to a fault, and there was a new cachet in not doing what everybody was doing. As a bit player, the midcentury surfer took his place on a stage already bowing under the gathered iconoclastic weight of Pollack and Presley, Ginsberg and Brando, Charlie Parker, Holden Caulfied, and Alfred E. Neuman.

Nonconformity, of course, had been a hallmark of modern surfing ever since Tom Blake, who sailed as far off the shores of convention as Dora or Tracy. Blake, though, was a surfing proselytizer who wanted everyone to enjoy what he enjoyed. From their Malibu vantage point, Dora and Tracy viewed the rest of the world – nonsurfers, beginning and intermediate surfers, nearly all visiting surfers–as real or potential invaders, there to be ignored, mocked, hustled, and repelled. The Malibu lineup was getting crowded. A more aggressive rebel stance, above all, was a simple matter of resource hoarding. But establishing rank and position had a lot to do with it, too. First Point was nearly clouded over in the antiauthoritarian charisma that wafted off both Tracy and Dora, and anyone on the beach at Malibu who wanted to be cool–which meant just about everyone–copied their mannerisms, their phrasing, their outlook. “I ruled the beach,” Tracy later explained with a shrug, “Mickey ruled the water.” And because Malibu set the tone for the sport up and down the coast, surfers elsewhere also began to view the rest of the world as something to be dodged or pranked, and to line up behind their own rebel surf leaders.

Tracy and Dora both arrived at Malibu in the early 1950s as teenagers from broken homes. They were sharp-tongued and quick with a putdown for newcomers, but Tracy didn’t have Dora’s taste for genuine verbal cruelty. Tracy, in fact, liked people–or he liked the two dozen or so Malibu regulars who gathered around him like courtiers in an area near the base of the point called “the Pit”–and he went to Malibu more to socialize than to ride waves. Dora didn’t hang out on the beach after surfing, unless he was resting up for another session; then, to kill time, he might wander over to the Pit and chat with Tracy’s group. “When there’s surf, I’m totally committed,” Dora explained, years later. “When there’s none, it doesn’t exist.”

Though a Malibu fixture, Tracy embodied the idea that surfing was a movable feast, a celebratory beachfront beggar’s banquet, and surfers from the 1950s forward never strayed too far from this notion. Mickey Dora wasn’t the opposite, exactly. He was just as theatrical as Tracy and could be equally comedic. For the Malibu morning surf check, he’d step out of his car in tennis whites, or a smoking jacket, or a black leather Nazi trenchcoat. Finishing a ride, he’d walk back up the point holding his board by the fin, letting the nose drag over the sand and rocks. “Nobody did that,” fellow Malibu surfer Bob Cooper recalled. “You treated this weapon with respect. You put it under your arm or on your head.” Every surfer waxed the deck of his board with paraffin, which only came in white. When Dora turned up with a gaudy multicolor wax job one day, Cooper looked astounded and asked how he’d done it. Dora gave Cooper a pitying look and said one word: “Crayon.”

Despite these lighter moments, Dora’s outlook was relentlessly, even apocalyptically grim, and he perfectly rode surf media’s opening wave to become the sport’s first and greatest antihero. But by the late fifties it was already an article of faith with Dora that surfing, and Southern California, and the world in general, were all being dismantled by a vast and conspiratorial range of forces, and that Malibu–“my perfect wave,” site of “my cherished days,” as Dora put it in a rare noncombative moment of reflection–had been the first place to fall. In response, he became a scammer and a thief. Either that, or his world-in-decay viewpoint was his justification for all the scamming and thieving. Meanwhile, he rode waves with surpassing grace and elegance, and radiated a kind of tense, dangerous cool that would have done Marlon Brando proud.

Mickey Dora was the product of two diametrically opposed men: his birth-father Miklos Dora Sr., a refined and educated Hungarian national who later became a representative for Rothschild wines; and his stepfather Gard Chapin, a snarling Santa Monica woodworker considered by many to be California’s most talented and least-liked Depression-era surfer. Born in Budapest, Mickey was six months old in 1935 when the family moved to Los Angeles. Miklos, his father, became a dilettante surfer, and by 1938 he was bringing his young son with him on surf trips to Palos Verdes and San Onofre. The elder Dora wasn’t an especially hands-on father-he enrolled Mickey in boarding schools and military academies, and left the country altogether from 1948 to 1953-but he passed on to his son a love of culture. Dora would become the best-dressed surfer of his generation, and was singular in his interest and appreciation for art, wine, food, and tennis. Both men were aloof and quiet-voiced. Both could be charming. But where Miklos was gracious, his son invariably deployed graciousness only in satirical form.

Dora was six when his mother, a budding alcoholic, left the family and married Chapin, who became the boy’s surfing mentor and took Dora to Malibu for the first time. The youngster occasionally helped Chapin and Bob Simmons make surfboards. Meanwhile, just as Dora picked up on Miklos Sr.’s urbanity, so too was he imprinted by Chapin’s anger and aggression. Late one night, Chapin got Dora out of bed in a fit of rage and drove him to the corner of Sunset and Vine, where he pulled a baseball bat from the trunk and smashed the heads off of a block’s worth of just-installed parking meters. “Mickey,” he said, “these bastards want to control everything. Now they want to make us pay money to park on the street.” Disintegration in the name of progress, and lawlessness as the appropriate response–Dora’s belief system in a nutshell–were ideas passed on from his stepfather.

Dora didn’t become a full-time surfer until 1950, at age fifteen, but he was strong and agile and a quick study. He arrived at Malibu just as Matt Kivlin and Joe Quigg rolled out their maneuverable Malibu chips. (Dora bought his first Quigg in 1953 and always claimed it was the best board he ever owned.) Kivlin was Dora’s favorite surfer, and he copied the older surfer’s stance directly: lowered arms, back knee bent in toward the front, a casual slouch while trimming. Dora eventually became a far more active surfer than Kivlin. At the right moment he’d straighten his torso, arch his back, and lead with the hips; his hands would rise to make odd little swirls in the air; and his right arm occasionally curled up behind his head like a plume. He was nicknamed “da Cat,” mostly for his untouchable footwork, which was soft and quick as he peddled the length of his board, then rooted in place as he negotiated long sections with tiny ankle-driven adjustments to his trim line. Dora could be showy. From the middle of his board, he’d pivot and ride backward, or he’d drop into parallel-stance crouch with a foot on either rail. But function and artistry always came first. Other surfers of Dora’s era would be best known for a specific move: Phil Edwards and his big water-shifting turns, or Lance Carson and his noseriding. Dora’s surfing consisted mostly of bright staccato grace notes, strung together as quickly and unexpectedly as a John Coltrane solo, with move-to-move transitions so smooth as to be invisible.

Dora worked hard at his surfing. He rode constantly, drove the coast seeking out new breaks, and kept a watchful if secretive eye on all the other hot surfers. He ran through a never-ending series of boards, always looking for one that would add a bit more snap to his turns, a bit more velocity to his trim line. Yet Dora, like so much else in surfing during the 1940s and 1950s, seemed to be very much a creation of Malibu itself. The wave didn’t just suit his jazz-inflected style, it nearly dictated it. Dora couldn’t ride left-breaking waves anywhere near as well he could going right, and he wasn’t much interested in bigger surf. “Let’s face it,” he once said, “by choice, I’m a four-foot and under man.” Also, because Malibu presented itself as surfing’s own earthly paradise, it helped justify Dora’s decision to do whatever it took to stay on the surf beat and never miss a day of waves, which in turn steered him to a life of resistance and transgression.

Black-haired and handsome, with a flashing gap-toothed Bowery Boys grin, Dora looked the part of the rebellious surfer even before he fully embraced the role. He was an enthusiastic prankster with a taste for lighting firecrackers at public gatherings, and a gifted party crasher who kept a tuxedo in the trunk of his car for quick-change makeovers that got him into some of Hollywood’s most exclusive black tie events. On the beach or in the banquet room, Dora was a smart and witty conversationalist, with expressive long-fingered hands that often floated up in vaguely European gestures; his tone of voice was often mocking, derisive, or world-weary. Rarely did he speak directly to the point. As a matter of habit, he would answer a question with a question. Bob Simmons was the sport’s first real cynic, but Dora was next in line and a lot better at it: Simmons was cynical and grumpy, Dora was cynical and entertaining.

By the mid-fifties he’d become an icon to a growing number of California surfers. The Malibu crew in particular were soon copying it all—the grin and the hand movements; the evasive, gentlemanly voice; the slouched but jittering riding style.

Dora held jobs briefly and intermittently in his early twenties, first as a parking lot attendant for the Beverly Hilton Hotel, then as a host at an upscale Sunset Boulevard restaurant called Frascati, then as a delivery boy for a wine distributor. But surfing took over his life to a degree that was incompatible with any kind of work schedule. He existed for the most part on handouts from friends and supporters, usually in the form of an open guestroom and meals. He also shoplifted and stole from his employers; shook down awestruck young surfers; and convinced surfboard manufacturers to give him an endless supply of free “team rider” boards, which he used a few times then sold. (Dora stepped up the criminal activities in his thirties, and eventually served time for felony check-writing and credit card fraud, as well as violating probation.)

Dora had his detractors, even during the Malibu glory years. Terry Tracy, his first surfing buddy and a lifelong acquaintance, allowed that Dora had “incredible presence,” but accused him of being congenitally mean-spirited. “He’d irritate the little guy. He’d take a guy’s board, some poor, helpless little guy, then a few days later he’d give it back–after charging him a few bucks.” Most surfers, though, admired Dora, many to the point of zealotry, believing that Dora lied, stole, and scammed because that was the only way a genuine surfing purist could get by. Even those who regarded Dora as little more than an charismatic sociopath felt a kinship with him. Few played the rebel with Dora’s commitment, but nearly all surfers embraced the concept and lived the part in smaller ways. Maybe they’d never commit felonies in the name of wave-riding, but for a few extra hours in the surf they’d ditch class or leave work early; or lie to their parents, their boss, their wife; or speed through red lights just to get to the beach two minutes quicker. Dora’s transgressions were everyone’s, writ large. By championing him, surfers championed themselves.

  • tony ty carson big island

    “These few Wall Street flesh merchants–seek to unify surfing– only to extract the wealth”,–When Dora made this statement–no surf companies even dreamed of being on Wall Street –now every one of these companies below–and others– are on Wall Street.–Another prophecy (statement) that seemed to come to pass–as Quickdoollars–Hurley-now owned by Nike– Volcom-now owned by a French fashion company-(Kering-Caring)—all seek to extract the wealth.–Da Cat lives

  • tony ty carson big island

    Miki was once asked a question- Would you enter a contest for $1,000-$2,000 prize money? His answer- “I ride for my pleasure only: no thanks. Professionalism will be completely destructive to any control an individual has over the sport at present. The organizers will call the shots, collect the profits, while the waverider does all the labor and receives little. Also, since surfing’s alliance with the decadent big-business interests is designed only as a temporary damper to complete fiscal collapse, the completion of such a partnership will serve only to accelerate the art’s demise. A surfer should think carefully before selling his being to these “people”, since he’s signing his own death warrant as a personal entity”–With a lot of surf companies almost folding–seeking outside financial help to stay afloat–maybe Dora had a lot more insight than people thought.

    • james

      So Slater, as an example, probably the most thoughtful surfer ever and the one most responsible for shaping how and what we currently ride, has been reduced to an thoughtless automaton with no vision of his own? By working with Quiksilver and CI all those years, he “signed his own death warrant”? Parko and Fanning, and all the sponsored surfers like Ian Walsh and the
      Long brothers, not to mention JOB, Laird (American Express) — they’re all thoughtless automatons controlled by corporate interests? Clearly not. But that’s where buying in to grand generalizations like Dora’s will get you — to the heart of the (numerous) exceptions that disprove the “rule.”

  • kelp

    “Thank God– for a few free waves.” Miki Dora–Da Cat.___This has to be– “maybe the ‘best surf quote’ –of all time”.. Where would we all be without a “few free waves”–working inland?–no stoke–no reason to get up early–see the sun rise– check the surf–no evening glass off sessions–watch the sun set while your still in the water–be the first one in–the last one out–if anyone ever tells you–you need to pay to ride a wave–surf park or some pansyfied– privatized– yuppiefied surf break –tell them to take a hike…..

  • Benjamin Rayner

    Why are folks still so determined to praise someone who by all accounts was a back-stabbing con man? I go surfing to get away from people like Dora, put it to rest.

    • ichorousmedia .

      he was fun to watch and a skilled surfer

    • Scripp

      Yea he was the first PROFESSIONAL SURF BUM. LoL. That’s become a profession now days. If you can con and beg enough to stay alive and have a place to sleep and then get to surf everyday you living the Micky Dora lifestyle…

      I have no problem with those types. As long as there are people that will give them food, shelter and idolize their surfing then more power to them all!

  • kelp

    Nobody said Dora was a saint– (far from it)–Dora was definitely flawed–just like you and me–but he did have the guts to say what a lot of other people only thought –and speak out against the surf industry and their greed…..surfers today are so brainwashed by surf mags and the surf industry–they almost don’t know what to think..Ride free……

  • surfjac

    Loved the John Milius’ story about asking Miki about surfing in Ride the Wild Surf like he was surfing Malibu. Miki says, “Had to, survival!”

  • JRM

    There is a rawness about Dora’s surfing when you watch him you can’t ignore and after 45 years in the water I don’t see anymore.

  • tony ty carson big island

    Maybe Sam George summed up Miki best–“Underneath everything–is this guy–who just loved to surf”

  • Mark

    Beautiful surfer- the most beautiful style of all of them in small rights, to me. Funny and maybe even insightful a bit at times. But also a rotten man- racist, thief, liar, you name it. He’d probably be a Tea Partier now or if he were in France, one of the Front National. He couldn’t handle South Africa anymore after blacks were liberated…

    • Jack C

      “probably a tea partier now”? You sir are a jackass. I don’t get up and work to give it to you or anybody else, not even the gubbermint. What, did your mommy and daddy not give you an inheritance so now you want it from somebody else? Maybe you, my friend, are no better than the con you claim Dora was. I think the dude lived out the life he was meant to live without anybody else telling him how to live his.

      • Mark

        And there you have it.

  • Joe Mickey

    Met him… he was negotiating for money for his appearance in a surf film … sometimes a wanted man… some times a hustler… sometimes a surfer… sometimes a victim of his own fame… He clearly understood best how to manufacture his image. He played ok tennis.

  • dora4ever

    all of you who are putting down dora need to f off. He had more brains than all of you and more guts. leave him be.

    • james

      Oh, I think Miklos can handle any put downs. He is dead after all.

  • Peter Walsh

    He lived in my house at Magna Tubes in Jeffrey Bay for a while and I never got to know him or understand him. Other than his love for surfing he remained a mystery to me in that time. But I remember waking up to roaring surf and he was already out at Magna surfing all on his own and styling. He was definitely not just a 4′ man.

  • art mavermatis

    dora was the gary kingma (KINGER,S.F.O.B.) of malibu

  • Jimmy Gates

    I was lucky enough to meet and spend a half hour talking with Dora. In France, 1970, I think… He was open and talkative, I was a kid surfer from Texas. Back in those days, most of us had some scam going. There was no sponsorship/ contest money. It was just some rich kids with their mom and daddys money and the rest of us scufflers. Miki was our hero. Still is.